EVENT SEARCH (RECHERCHE D'EVENEMENT) :
𝚃𝚛𝚊𝚣𝚘𝚜 𝚢 𝚎𝚗𝚕𝚊𝚌𝚎𝚜 𝚎𝚗𝚝𝚛𝚎 𝚗𝚞𝚎𝚟𝚎 𝚙𝚛𝚘𝚙𝚞𝚎𝚜𝚝𝚊𝚜 𝚌𝚛í𝚝𝚒𝚌𝚊𝚜 𝗖𝘂𝗿𝗮𝗱𝘂𝗿í𝗮: Natalia de la Rosa (MEX) 𝙄𝙣𝙖𝙪𝙜𝙪𝙧𝙖𝙘𝙞ó𝙣: jueves 19 octubre 2023, 6:00pm𝗟𝘂𝗴𝗮𝗿: Lado V – TEOR/éTica. Saber mas : http://teoretica.org/lado-v/ 𝚃𝚛𝚊𝚣𝚘𝚜 𝚢 𝚎𝚗𝚕𝚊𝚌𝚎𝚜...
𝙿𝚛𝚘𝚓𝚎𝚌𝚝𝚒𝚘𝚗 𝚎𝚝 𝙿𝚎𝚛𝚏𝚘𝚛𝚖𝚊𝚗𝚌𝚎𝚜Nèfta Poetry / Frédérique Menant, Après plusieurs collaborations entre la Guadeloupe et l’Hexagone, Lót Bó (L’autre bord, comme le nomment les Antillais), Frédérique Menant et Nèfta Poetry (Stéphanie Melyon-Reinette)...
1-54 Contemporary African Art is pleased to announce the second iteration of 1-54 Presents, a new programme of pop-up exhibitions,’Transatlantic Connections: Caribbean Narratives in Contemporary Art’, a group exhibition presented...
CLAVIS ARTIS nouveauté par Billy Judah & Reid Van RenessePrésenté par TROPS Guadeloupe du 22 sept – 7 OctPrise de parole Ghetto Intello 11 rue Alexander ISAACPointe-à-PitreGuadeloupe, FWI11h – 20h...
The opening of The Nation/The Imaginary on Thursday, October 19, 2023. This monumental exhibition, curated by Richardo Barrett and Letitia Pratt, explores juxtapositions of myth/reality, paradise/plantation, and the importance of...
This year the Transforming Spaces annual bus tour will highlight the best in contemporary Bahamian art on November 11th & 12th, 2023. Follow #TS50 or visit our website at www.tsbahamas.com for updates...
Learn more : http://www.museolasamericas.org/ En savoir plus : http://www.museolasamericas.org/
PARADISO exhibition by Andrea C. Hoffer at Soft Box GalleryOpens Friday 29th September 2023 Learn more : https://soft-box-gallery.business.site/?utm_source=gmb&utm_medium=referral Exposition PARADISO d’Andrea C. Hoffer à la Soft Box GalleryOuverture le vendredi...
Readytex Art Gallery is pleased to invite you to the exhibition ‘Muddy Waters’, an artistic reflection on the Amazon Biennale that opened for the first time this year in the...
The Barbados Museum & Historical Society invites you to join us for an intriguing lecture! 𝐖𝐫𝐢𝐭𝐢𝐧𝐠 𝐃𝐮𝐫𝐢𝐧𝐠 𝐄𝐧𝐬𝐥𝐚𝐯𝐞𝐦𝐞𝐧𝐭 – ‘𝐖𝐡𝐢𝐜𝐡 𝐬𝐜𝐫𝐢𝐩𝐭𝐬 𝐛𝐞𝐜𝐚𝐦𝐞 𝐭𝐡𝐞 𝐞𝐯𝐢𝐝𝐞𝐧𝐜𝐞 𝐚𝐧𝐝 𝐰𝐡𝐲’, 𝐛𝐲 𝐏𝐚𝐮𝐥 𝐀𝐧𝐭𝐨𝐧𝐢𝐨 (𝐌𝐚𝐬𝐭𝐞𝐫...